Our annual holiday studio sale is this weekend, which means the next few days will be a flurry of pricing and tagging products to sell, cleaning my working studio (which truly needs it), and transforming that space into a comfortable place to shop.
It never feels like I’m quite ready, but this year especially feels like a lot of things have slipped through my fingers. Including the typo in the image above. But after being gone for three weeks in October, I feel like it’s an achievement just to be wearing clean underwear.
Continue reading November Means Studio Sale
It’s been a month of dye-soak-rinse-and-repeat here, with a bit of ironing for variety and one short break to teach an intro to natural dyes workshop.But being mostly home for a while has let me make some serious progress on preparing for our annual studio sale in November and sampling more bark dye extractions.
Continue reading September Means Dyeing, Naturally
Yesterday I finally managed to dye yarn with my first indigo Sig vat. It was almost another failed experiment. And as usual, I probably learned more because of that.
Here are the results after one dip on white wool (right) and over sumac to make the green. Continue reading An Unconventional Indigo Sig Vat
My latest attempt at an organic vat from fresh-leaf homegrown Japanese indigo has me singing the blues — the pale, grayish, stinky blues. And while this batch of yarn counts as a dye fail, I learned some things getting here.
The yarns look better than they really are, but there’s no point letting them dry out for a photo. I’ll keep changing the water until the odor is gone, then overdye them. Probably in a fresh-leaf vat reduced with Thiox. Because it’s the end of August, which in northern Wisconsin means our growing season could end in six weeks or six days.
Continue reading Singing The Fresh Leaf Blues
Having never taken organic chemistry, dyeing with plants I grow or gather is often instructive, sometimes bewildering, and always a bit magical.
My recent experiments with homegrown Japanese indigo and invasive buckthorn have been all of above.
Continue reading Organic Chemistry: Indigo And Buckthorn
Natural dye material is ready to harvest just about everywhere you turn here in rural northern Wisconsin, where I’m snipping as fast as I can. It’s nice to have a reason to slow down for a bit and enjoy dyeing with a friend.
The angel who started my Japanese indigo last spring came over yesterday morning. We combined leaves snipped from her plants and mine and had a nice visit while the pot warmed gently over a two-hour period.
Continue reading Snipping My Way To Color
The last time I cut bulrush where we went today to harvest was about 10 years ago. I never harvest much in any one spot. My goal is always that when I leave, my activity should be undetectable and not diminish the resource in any way. But today I took out more than my share — of leeches.
In the past when the lake level was lower, Bill and I just waded in and cut here and there. With some heavy rains this summer, lake levels are higher.
Continue reading Gathering Bulrush And Leeches
After two days of teaching, I had a day off before my next seminars and I’ve made the most of it. Now I’m sipping iced tea, resting my feet, and reflecting on the wonderful things that have happened so far at Convergence 2016 in Milwaukee.
My week began with a 2-day workshop sampling seven looping variations from around the world. As usual when I’m teaching, I get too busy to take pictures. Then right at the end of the lunch break on Day 1, the convention center was evacuated because of a nearby fire. My class managed to meet up at the Starbuck’s across the street, and I managed to get a picture of this lovely group stitching and sipping until we could return to our class space.
Continue reading Looping At Convergence
This weekend has been our annual fishing camp, and my studio was temporarily converted into Fly Tying Central. But once the feathers and flash are picked up this afternoon, I’ll start spreading out natural dye materials to dry while I’m away teaching at Convergence.
Convergence is the Handweavers Guild of America biennial conference. Packing for an event like this is best done without any distractions — at least for me. At least if there’s anything that has to be counted. So I got all that done before our company arrived on Friday.
Continue reading Studio Transformations
One warm, sunny October day in the mid-1990’s, I fell in love with Washington Island. I was in Jo Campbell-Amsler’s willow backpack class at Sievers, and we left the studio to weave at what is now called Percy Johnson Park.
Now I take my own students there when I teach a Sievers class called Local Color. The class combines field trips, natural dyeing, photography and digital imaging, and printing and embellishing images on fabric and transfers.
Continue reading Local Color At Sievers