I picked up the technique (including its name) from Osma Gallinger Tod’s book Earth Basketry. Over the years I’ve applied the concept to materials ranging from bark and cordage to velvet and satin cores. Definitely not traditional — but then, it’s hard to find much information about the basketry traditions of Tierra del Fuego and the Fuegian culture area. And I’ve never had the opportunity to travel to the southernmost tip of South America.
So I really appreciate when someone who has visited sorts through travel photos and sends some to me to share with others. It’s even better when that someone sees through a basketmaker’s eyes.
At the Northwest Basket Weavers winter retreat, I had the pleasure of seeing some looped bags collected by other people. This often happens when I give a lecture. I’m always grateful when people share their finds with me and allow me to share them with you — even when I lose sleep trying to figure them out.
Sharle Osborne brought several lovely bags to show me, including this one. Its size, shape and stiffness at first had me thinking it might have been a camel muzzle, like this one from the Pitt River Museum.
When winter days are dark and short, I really appreciate the things that help recharge my creative energy. Things like planning a summer workshop (Sievers class registration opens today). Or going to a winter retreat — that’s what I did in January. After teaching at the Northwest Basket Weavers winter event, I came home charged up with ideas I can’t wait to explore.
Through Monday, December 12, there’s a special promotion going on at Etsy, the online marketplace where I sell my work. First-time Etsy buyers who spend $50 in one shop in a single purchase (multiple items qualify) will receive a $10 credit toward a future purchase on Etsy, which they can redeem through January 31, 2017. See the full Terms & Conditions for additional details.
If you’re planning to do your holiday shopping over the weekend, I hope you can take advantage of this bonus!
If we didn’t have an annual studio open house I would probably never get my windows washed. The cleaner version of my work space only lasts a short time. But for one weekend a year, Bill and I return to our retail roots.
We enjoy visiting with friend and hearing their questions and comments about our work. They give us lots of good ideas! This year, we extended our hours to include Friday afternoon as well as Saturday. It helped spread out the traffic and I think made it easier for us to talk with just about everyone who came.
It’s been a month of dye-soak-rinse-and-repeat here, with a bit of ironing for variety and one short break to teach an intro to natural dyes workshop.But being mostly home for a while has let me make some serious progress on preparing for our annual studio sale in November and sampling more bark dye extractions.
After two days of teaching, I had a day off before my next seminars and I’ve made the most of it. Now I’m sipping iced tea, resting my feet, and reflecting on the wonderful things that have happened so far at Convergence 2016 in Milwaukee.
My week began with a 2-day workshop sampling seven looping variations from around the world. As usual when I’m teaching, I get too busy to take pictures. Then right at the end of the lunch break on Day 1, the convention center was evacuated because of a nearby fire. My class managed to meet up at the Starbuck’s across the street, and I managed to get a picture of this lovely group stitching and sipping until we could return to our class space. Continue reading Looping At Convergence
This weekend has been our annual fishing camp, and my studio was temporarily converted into Fly Tying Central. But once the feathers and flash are picked up this afternoon, I’ll start spreading out natural dye materials to dry while I’m away teaching at Convergence.
Convergence is the Handweavers Guild of America biennial conference. Packing for an event like this is best done without any distractions — at least for me. At least if there’s anything that has to be counted. So I got all that done before our company arrived on Friday.
This video from the Norsk Folkemuseum came to my attention last week via a 2015 post at vakerrysta.blogspot.com. I’ve added it to the unorganized collection on my Looping Links page, but had to call it to your attention. Strainers for milk and beer-making have fascinated me since I was first able to borrow Odd Nordland’s book Primitive Scandinavian Textiles in Knotless Netting from interlibrary loan.
You’ll find spinning the hair fiber (I believe) at 6:00, stitching the strainer at 7:50, adding thread at 9:39, and then she pours milk through the strainer.
I’m so grateful for the filmmakers who captured these traditions, the folk museums who preserve them, and the generous souls share these findings!