Embarrassing things happen when you travel. At least, I like to think it’s not just me who occasionally looks around in relief that I will probably never have to face these people again. I’ll leave much to your imagination and just share today’s addition to things I hope never to repeat.
This is not the yarn or project I planned to bring on this trip. I’m heading to Florida to move my parents again, to a different assisted living/memory care facility. I know I won’t have much time for stitching the next two weeks. But you might have heard that bad weather has wrecked havok on air travel this week.
Continue reading Looping On The Road
At the Northwest Basket Weavers winter retreat, one of the workshops I taught was a technique known as Fuegian coiling, which is basically simple looping over a core element.
I picked up the technique (including its name) from Osma Gallinger Tod’s book Earth Basketry. Over the years I’ve applied the concept to materials ranging from bark and cordage to velvet and satin cores. Definitely not traditional — but then, it’s hard to find much information about the basketry traditions of Tierra del Fuego and the Fuegian culture area. And I’ve never had the opportunity to travel to the southernmost tip of South America.
So I really appreciate when someone who has visited sorts through travel photos and sends some to me to share with others. It’s even better when that someone sees through a basketmaker’s eyes. These photos are from Jeannie Averbeck. The image above is one she took in a museum.
This is from the marketplace in Punta Arenas, Chile.
That’s where Jeannie met Carolina, a basketmaker…
…and snapped this picture in Carolina’s market booth….
…and purchased this small basket worked in the technique Osma Gallinger Tod identified as Fuegian coiling.
Fuegian coiling produces a looser structure than other indigenous coiling traditions, at least in my experience. From my reading, I have assumed this is because these nomads kept fewer material goods, and since they didn’t expect them to last as long they chose faster techniques to make what they needed when they needed it from materials on hand at the time. This would help explain why there are fewer examples of Fuegian coiling cataloged in digital museum collections.
If you’re googling, you might include include as search terms “Yaghan”, “Yamana” and “Ona”. That led me to a post not directly related to basketry but definitely worth a read: http://indigenousboats.blogspot.com/2011/01/yamana-bark-canoe.html
Thank you, Jeannie, for sharing these images!
At the Northwest Basket Weavers winter retreat, I had the pleasure of seeing some looped bags collected by other people. This often happens when I give a lecture. I’m always grateful when people share their finds with me and allow me to share them with you — even when I lose sleep trying to figure them out.
Sharle Osborne brought several lovely bags to show me, including this one. Its size, shape and stiffness at first had me thinking it might have been a camel muzzle, like this one from the Pitt River Museum.
Continue reading Inspiration From Looped Bags
When winter days are dark and short, I really appreciate the things that help recharge my creative energy. Things like planning a summer workshop (Sievers class registration opens today). Or going to a winter retreat — that’s what I did in January. After teaching at the Northwest Basket Weavers winter event, I came home charged up with ideas I can’t wait to explore.
I’ll save pictures of looped bags people brought to show me for my next post and focus this time on classes and retreat events. Continue reading Plugging In For A Winter Recharge
Through Monday, December 12, there’s a special promotion going on at Etsy, the online marketplace where I sell my work. First-time Etsy buyers who spend $50 in one shop in a single purchase (multiple items qualify) will receive a $10 credit toward a future purchase on Etsy, which they can redeem through January 31, 2017. See the full Terms & Conditions for additional details.
If you’re planning to do your holiday shopping over the weekend, I hope you can take advantage of this bonus!
If we didn’t have an annual studio open house I would probably never get my windows washed. The cleaner version of my work space only lasts a short time. But for one weekend a year, Bill and I return to our retail roots.
We enjoy visiting with friend and hearing their questions and comments about our work. They give us lots of good ideas! This year, we extended our hours to include Friday afternoon as well as Saturday. It helped spread out the traffic and I think made it easier for us to talk with just about everyone who came.
Continue reading Holiday Sales Begin
It’s been a month of dye-soak-rinse-and-repeat here, with a bit of ironing for variety and one short break to teach an intro to natural dyes workshop.But being mostly home for a while has let me make some serious progress on preparing for our annual studio sale in November and sampling more bark dye extractions.
Continue reading September Means Dyeing, Naturally
Yesterday I finally managed to dye yarn with my first indigo Sig vat. It was almost another failed experiment. And as usual, I probably learned more because of that.
Here are the results after one dip on white wool (right) and over sumac to make the green. Continue reading An Unconventional Indigo Sig Vat
After two days of teaching, I had a day off before my next seminars and I’ve made the most of it. Now I’m sipping iced tea, resting my feet, and reflecting on the wonderful things that have happened so far at Convergence 2016 in Milwaukee.
My week began with a 2-day workshop sampling seven looping variations from around the world. As usual when I’m teaching, I get too busy to take pictures. Then right at the end of the lunch break on Day 1, the convention center was evacuated because of a nearby fire. My class managed to meet up at the Starbuck’s across the street, and I managed to get a picture of this lovely group stitching and sipping until we could return to our class space.
Continue reading Looping At Convergence
This weekend has been our annual fishing camp, and my studio was temporarily converted into Fly Tying Central. But once the feathers and flash are picked up this afternoon, I’ll start spreading out natural dye materials to dry while I’m away teaching at Convergence.
Convergence is the Handweavers Guild of America biennial conference. Packing for an event like this is best done without any distractions — at least for me. At least if there’s anything that has to be counted. So I got all that done before our company arrived on Friday.
Continue reading Studio Transformations