Years ago at a workshop, I picked up another basketmaker’s trimmings to make cuttings for my own willow patch. Over the years, that variety’s leaves and bark have become among my favorite for natural dye. But I never knew what variety it was.
This video shows key features for identifying willow species in the United States. I believe the willow I’ve been trying to identify is peachleaf willow, salix amygdaloides.
Before I started growing named cultivars bred for basketry, I harvested and wove a lot of the willow that grows wild here in rural northern Wisconsin. I wish this video had been around then!
Embarrassing things happen when you travel. At least, I like to think it’s not just me who occasionally looks around in relief that I will probably never have to face these people again. I’ll leave much to your imagination and just share today’s addition to things I hope never to repeat.
This is not the yarn or project I planned to bring on this trip. I’m heading to Florida to move my parents again, to a different assisted living/memory care facility. I know I won’t have much time for stitching the next two weeks. But you might have heard that bad weather has wrecked havok on air travel this week.
I picked up the technique (including its name) from Osma Gallinger Tod’s book Earth Basketry. Over the years I’ve applied the concept to materials ranging from bark and cordage to velvet and satin cores. Definitely not traditional — but then, it’s hard to find much information about the basketry traditions of Tierra del Fuego and the Fuegian culture area. And I’ve never had the opportunity to travel to the southernmost tip of South America.
So I really appreciate when someone who has visited sorts through travel photos and sends some to me to share with others. It’s even better when that someone sees through a basketmaker’s eyes. These photos are from Jeannie Averbeck. The image above is one she took in a museum.
This is from the marketplace in Punta Arenas, Chile.
That’s where Jeannie met Carolina, a basketmaker…
…and snapped this picture in Carolina’s market booth….
…and purchased this small basket worked in the technique Osma Gallinger Tod identified as Fuegian coiling.
Fuegian coiling produces a looser structure than other indigenous coiling traditions, at least in my experience. From my reading, I have assumed this is because these nomads kept fewer material goods, and since they didn’t expect them to last as long they chose faster techniques to make what they needed when they needed it from materials on hand at the time. This would help explain why there are fewer examples of Fuegian coiling cataloged in digital museum collections.
At the Northwest Basket Weavers winter retreat, I had the pleasure of seeing some looped bags collected by other people. This often happens when I give a lecture. I’m always grateful when people share their finds with me and allow me to share them with you — even when I lose sleep trying to figure them out.
Sharle Osborne brought several lovely bags to show me, including this one. Its size, shape and stiffness at first had me thinking it might have been a camel muzzle, like this one from the Pitt River Museum.
When winter days are dark and short, I really appreciate the things that help recharge my creative energy. Things like planning a summer workshop (Sievers class registration opens today). Or going to a winter retreat — that’s what I did in January. After teaching at the Northwest Basket Weavers winter event, I came home charged up with ideas I can’t wait to explore.
After Christmas I packed and sent off materials for workshops in Washington next week. I managed to fit materials for five workshops at the Northwest Basket Weaver’s winter retreat in two flat-rate Priority Mail boxes, with just enough room to slip in a few tea bags. Packing light is a skill developed through practice, and I’m always learning.
It may take me a bit longer to set up for the netting class, since I decided not to ship the homebrewed tension jigs I like to use (heavy) or C-clamps (heavier). But students will be able to keep the cord I sent instead, and I’ll teach them how to tie a tension aid themselves (that trucker’s hitch is a useful knot).
An old building like my studio is hard to heat, even without this week’s sub-zero temperatures. But it will be a few more days before I’m ready to unplug the furnace and work in the basement until spring.
One of those experiments is dyeing spruce root for basketry. My friend Karen Tembreull gave me some split roots to play with. I think the indigo-dyed roots need a few more dips, which I’m happy to have drip on the studio floor but would feel a need to mop up in the house. Continue reading Natural Dye On Spruce Roots
Through Monday, December 12, there’s a special promotion going on at Etsy, the online marketplace where I sell my work. First-time Etsy buyers who spend $50 in one shop in a single purchase (multiple items qualify) will receive a $10 credit toward a future purchase on Etsy, which they can redeem through January 31, 2017. See the full Terms & Conditions for additional details.
If you’re planning to do your holiday shopping over the weekend, I hope you can take advantage of this bonus!
One of the nicest parts of holiday sales is hearing, “That’s perfect for….” and the story of who and why. It’s like you become part of the story, as well as the extended family.
That happens a lot with the botanical dye scarves and yarns I sell. People are looking for something they can feel good about giving, and they like being able to honor a giftee’s love of nature. I love that people are interested in the techniques and materials I use, and that those items go out in the world to spark conversations.